So, I'm back to being creative and back to making my best effort to promote what I do. I've been inspired by a book by Hugh MacLeod so I've started working small. Most of my career I've been inspired by the big canvas. Larger than life people in less than realistic colors. I gave the small stuff a try and it's working wonders for me. Small 4" x 6" watercolors. Drawing on the back of index cards. I really enjoy it. I get an idea, try it out, see how it works, find something to adjust, and start on another one. I've probably done close to a hundred of these small watercolors:
I did a lot of line work, which morphed into perspective (the combination of art and math, what more could I want?). Basic lines, extra lines, wild colors, monochromatics, anything that came to mind. I thought about these pretty much all day every day. Some of them started featuring people (?):
I used these to work out lots of ideas. Some, well, some better than others. I also started another Zen project when I got laid off. I had done a bunch of these before, and they morphed a long way from where they started. I really enjoyed them. I would start them in a small sketchbook and work them until the book was done. This time when the book ran out I started doing them on the back of index cards, which has made them even better. If I get off to a bad start now, I just rip it up and start over. Anyway, I called these Corona Zen. I started with one and I've done one every day since then. The other day I posted Corona Zen 90:
It made me stop and think about all that I've been through in the last ninety days. I started with high artistic hopes, only to have them dashed, and then better ones rise from the ashes. These small works have kept me sane. Also, I had a few three picture frames laying around, so I framed some of these small jewels and posted them on Facebook.
I'm pretty much selling them as fast as I post them. Who'd a thought? I've also done two more Corona Zens since this one and they've taken a new turn:
I thought I'd pretty much "zenned" it all with this style, but, as usual I was wrong. Not the first time. Won't be the last.
AKO ANG HARI
DOUG
Art's Cool
Wednesday, June 24, 2020
Wednesday, June 17, 2020
Here I Am
Wow. it's been a long time. I didn't realize that I haven't posted this year. Now, there's plenty of excuse as to why I didn't, but it's really just me not having it in me. The first part of the year I was feeling kinda blah about creating, so, I didn't. For a long time. A long uncomfortable time. I started to come out of it right before the whole COVID thing hit. In fact, when the virus hit big I was ready to make it something positive. I was laid off from my job ( I never thought there'd come a day when I couldn't wait tables, even though I was willing and able) and decided to make it an art fueled vacation. I even had some money put back, so it should be no problem.
I started out by restarting my Daily Zen:
Once a day, every day since I was laid off. Today I did number 85. I was also big into doing some t-shirt stuff. I had paint and stencil stuff. I studied up on batik. I even had some ideas about melting crayon wax into shirts. I spent five days grinding crayons in preparation for the experiments. I had even started some online figure drawing classes. I was gonna emerge from the self quarantine as an artistic beast. Then....
I got denied for unemployment. I really shouldn't have. But I did. Nothing I could do. It was pretty much impossible to talk to a real human on the phone. Stressed me right out. So when my job asked me to come in and do to-go orders, I had to say yes. Even thought it's literally everything I hate about my job. That really messed up my focus and my motivation. So, I put my head down and did the grind.
Eventually, I started to get the itch. I had read a book by Hugh MacCloud that really changed my outlook. I realized that my art is better when I do it for myself than when I try to make art to make money. I mean, I knew that, but the way he put it really smacked me in the face. I was inspired by he business card drawings and decided to do some small ink and watercolors.
I did a couple, and then a bunch. Trying new stuff. Finishing quickly and moving on to the next. A great way to work out ideas and styles. Of course, I posted them on social media. I also had ideas for some large acrylics. It was a very productive time (actually, it still is). Something funny happened along the way. All the work I was doing just for me got really popular. And I started selling art. Quite a bit. Probably more in the last six weeks that I've done in the entire time since by shoe gig died out (four years ago-ish).
So, things are getting better in the art world. The restaurant world is another story, but it is what it is. It's just good to be me lately. I'm really happy with my life and my art.
AKO ANG HARI
Doug
I started out by restarting my Daily Zen:
Once a day, every day since I was laid off. Today I did number 85. I was also big into doing some t-shirt stuff. I had paint and stencil stuff. I studied up on batik. I even had some ideas about melting crayon wax into shirts. I spent five days grinding crayons in preparation for the experiments. I had even started some online figure drawing classes. I was gonna emerge from the self quarantine as an artistic beast. Then....
I got denied for unemployment. I really shouldn't have. But I did. Nothing I could do. It was pretty much impossible to talk to a real human on the phone. Stressed me right out. So when my job asked me to come in and do to-go orders, I had to say yes. Even thought it's literally everything I hate about my job. That really messed up my focus and my motivation. So, I put my head down and did the grind.
Eventually, I started to get the itch. I had read a book by Hugh MacCloud that really changed my outlook. I realized that my art is better when I do it for myself than when I try to make art to make money. I mean, I knew that, but the way he put it really smacked me in the face. I was inspired by he business card drawings and decided to do some small ink and watercolors.
I did a couple, and then a bunch. Trying new stuff. Finishing quickly and moving on to the next. A great way to work out ideas and styles. Of course, I posted them on social media. I also had ideas for some large acrylics. It was a very productive time (actually, it still is). Something funny happened along the way. All the work I was doing just for me got really popular. And I started selling art. Quite a bit. Probably more in the last six weeks that I've done in the entire time since by shoe gig died out (four years ago-ish).
So, things are getting better in the art world. The restaurant world is another story, but it is what it is. It's just good to be me lately. I'm really happy with my life and my art.
AKO ANG HARI
Doug
Wednesday, December 18, 2019
Here's My Thoughts
So, I'm having trouble. Lot's of trouble. I'm having a hard time separating Doug the Waiter from Doug the Artist. I have this feeling deep inside that I need to chose one. I suppose if that's true then I've gotta pick Doug the Waiter, if only because he's the one bringing in the money. I'm not angry, or depressed, or frustrated, but maybe I'm a bit of all three. I went back to waiting tables full time because my wife's job was eliminated. Just like that. No warning, no severance, just an oh-yeah-I-guess-we-don't-need-you-right-now. So, I get on the horse and go back to waiting tables four days a week (you see, I was down to one day a week, just in case, while I did art). And it was painful ( mostly because when I was diagnosed with diabetes and was in intensive care for three days I lost a lot of my muscle tone). No chance to ease back in. My legs and feet screamed at me at the end of every shift. I'd come home and just lay down because I didn't have the energy to do anything else. My art just kinda slipped away. I built my strength back up and now it's not so bad, yet I still don't feel like doing anything creative. I do some painting here and there, but it's not speaking to me the way it used to. I'm finishing up a commissioned portrait that I need to have finished (and should have already finished) and delivered by Christmas. It's not coming along like it should have and it's stressing the fuck out of me. Perhaps another sign it's time to lay my brushes down and commit to being the best waiter I can be. I feel like everything I had built up artwise I let slip away. Maybe it's all my fault. Maybe I don't deserve to be a full time artist. I don't know. I'm sure someone will tell me. I can't seem to sell enough art to break even on supplies, so, I'll just treat it like an expensive hobby I can no longer afford. For everyone who has supported me along the way, thank you. From the bottom of my heart. Maybe some day I'll feel more like Doug the Artist. I suppose anything's possible.
DOUG
DOUG
Wednesday, November 13, 2019
Here's Where I'm At
So, more on the struggle. I think (well, I'm 99% sure) that I'm done with the move from Paducah. I'm not sure how (or when) we'll get rid of that house. I just want to be done with it. I don't care if we don't make a dime, as long as we don't have to pay any more. It's taken waayyyy to long to get our stuff. We've run in to all kinds of trouble with it. I don't need that at this point in my life. Maybe we can just give it back to the bank.
I've got about six minutes of animation for my Epitaph movie project. Not as much as I would have thought at this point, but better than nothing. It's been way more labor intensive that I thought. That's probably a good thing, as I may not have started it I had known.
I had a daily drawing/writing journal I had been working on for about ten months that has fallen by the wayside. I'm really lucky I did as much as I did, and I just don't have it in me anymore.
I've also been getting my studio reorganized, now that I have all my stuff. It has taken a lot of my precious free time, but it'll pay off in the long run. I haven't done as much painting/drawing as I should have. Barely just enough to keep the stress from overwhelming me. I'm a mess right now. I really should have more done than I have. Much more. Seems every time I get a bit of momentum built up something comes along to derail me. I won't make excuses, but my having to go back to full time waiting tables has really discouraged me. I'm great at what I do, but I'm ready to be done with the restaurant business and create full time. I suppose it's just not in the cards right now. I gotta play the cards I'm dealt. A bit of regrouping and I'll be back on the horse. I always get back up.
Here's a picture of a painting I had started in Paducah. Two years ago. Maybe I can still make something of it. If not, I'll paint over it.
Thanks for stopping in. I really appreciate the support.
AKO ANG HARI
DOUG
Buy me a coffee
I've got about six minutes of animation for my Epitaph movie project. Not as much as I would have thought at this point, but better than nothing. It's been way more labor intensive that I thought. That's probably a good thing, as I may not have started it I had known.
I had a daily drawing/writing journal I had been working on for about ten months that has fallen by the wayside. I'm really lucky I did as much as I did, and I just don't have it in me anymore.
I've also been getting my studio reorganized, now that I have all my stuff. It has taken a lot of my precious free time, but it'll pay off in the long run. I haven't done as much painting/drawing as I should have. Barely just enough to keep the stress from overwhelming me. I'm a mess right now. I really should have more done than I have. Much more. Seems every time I get a bit of momentum built up something comes along to derail me. I won't make excuses, but my having to go back to full time waiting tables has really discouraged me. I'm great at what I do, but I'm ready to be done with the restaurant business and create full time. I suppose it's just not in the cards right now. I gotta play the cards I'm dealt. A bit of regrouping and I'll be back on the horse. I always get back up.
Here's a picture of a painting I had started in Paducah. Two years ago. Maybe I can still make something of it. If not, I'll paint over it.
Thanks for stopping in. I really appreciate the support.
AKO ANG HARI
DOUG
Buy me a coffee
Tuesday, August 13, 2019
Here's A Good Chance
I'm not sure if I ever have, but I've wanted to give some insights into my process for naming my paintings. I just had a few that I thought would be perfect for this.
This is "How Could You Forget Me?":
I just brought this up from Paducah last week (I know, after a year and a half I should be done with the move from Paducah, but it's been complicated). I grabbed about a dozen of these (3' x 2' size). I saw this one when I got here and thought "why have I not photographed this one already?". So, when I did I needed a name. I had forgotten to take this pic. No idea why. Or how. How I could have forgotten. Boom! Painting title. It also fits well. A guy on a phone with two women in each upper corner. All of a sudden there's a title and a back story. Ta-da.
Here is "It's Not Broken":
This also just came up from Paducah. I obviously painted this face over an abstract purple field. I like this one, but when I look at it the nose seems off. It's too late for me to fix it and it's not that big a deal. His nose. It's not broken. Bam! Painting title. It also says something about the expression on his face. Road weary, but not giving up. Beaten. But not broken.
This one is "Regality":
I just finished this one the other day. A small "daily painting" type acrylic. I'm very happy with it. When I went to post it I needed to give it a title. She had an air of royalty, to me anyway. She's not royalty, but regal seemed more accurate. Regal didn't seem like a good title. Royalty? Naw. Hey, I'll combine the two. Regality. Is that a word? No. Does it matter? Not really. Not to me. I like the title and it really seems to fit. It gives it a name and a bit of a back story. Just what I like for a title to do.
So, that's the story on three of the unique painting title stories. Perhaps I'll do another one of these some day. Some of my titles have a lot more behind them that you would ever suspect. Some titles come to me as soon as I finish a painting, or even as I'm creating it. Some titles have more to do with what's going on in my life than what's going on with the art. Some titles remind me of exactly what my life was about at the time. Sometimes I can't remember how I came up with the title. Crazy, right?
AKO ANG HARI Buy me a coffee
DOUG
This is "How Could You Forget Me?":
I just brought this up from Paducah last week (I know, after a year and a half I should be done with the move from Paducah, but it's been complicated). I grabbed about a dozen of these (3' x 2' size). I saw this one when I got here and thought "why have I not photographed this one already?". So, when I did I needed a name. I had forgotten to take this pic. No idea why. Or how. How I could have forgotten. Boom! Painting title. It also fits well. A guy on a phone with two women in each upper corner. All of a sudden there's a title and a back story. Ta-da.
Here is "It's Not Broken":
This one is "Regality":
I just finished this one the other day. A small "daily painting" type acrylic. I'm very happy with it. When I went to post it I needed to give it a title. She had an air of royalty, to me anyway. She's not royalty, but regal seemed more accurate. Regal didn't seem like a good title. Royalty? Naw. Hey, I'll combine the two. Regality. Is that a word? No. Does it matter? Not really. Not to me. I like the title and it really seems to fit. It gives it a name and a bit of a back story. Just what I like for a title to do.
So, that's the story on three of the unique painting title stories. Perhaps I'll do another one of these some day. Some of my titles have a lot more behind them that you would ever suspect. Some titles come to me as soon as I finish a painting, or even as I'm creating it. Some titles have more to do with what's going on in my life than what's going on with the art. Some titles remind me of exactly what my life was about at the time. Sometimes I can't remember how I came up with the title. Crazy, right?
AKO ANG HARI Buy me a coffee
DOUG
Tuesday, July 23, 2019
That's Right, All The Way
So, I'm back. Not as regularly as I would like to be, but I'm not giving up on this. It's been an adventure as of late. Some health issues in my house and some financial dings. Not stuff I enjoy, but I just gotta keep moving forward.
I'm working on my next graphic novel (number 4). I have some rough ideas of what I want but I can't seem to find a good opening. Once I get these started it's all down hill from there. Sometimes I have to edit out a bunch of pages, but the story flows once I start it. I have a basic idea and I've written the first page, but I still haven't been visited by the Graphic Novel Muse.
Also working on animating my first graphic novel, Epitaph. I'm starting from scratch having never animated anything before. It's a challenge teaching yourself an animation style when you have no idea what it's called, or even how to describe it for a Google search. I joined a Facebook group for animators and they've been fantastically helpful. I now have an idea what I'm looking for and I'm studying YouTube tutorials. I've made some basic videos to try out the techniques, but I'm starting to fear my computer may not have enough processing power. I've animated a very basic scene several times but can't get it rendered without my program crashing. I'm hoping for a brand new computer so I can render the basic animations I'm looking for. I could really use a pen tablet (which would be my third, things get lost in the shuffle during moves). I have faith and I hold hope.
I still paint and I still draw. I'm going back and working on my drawing skills. I'm currently working on my perspective skills from some art books I have. I actually learned about perspective half a century ago, but it's been nice starting over and practicing the basics. I also have some figure drawing classes I'm working. I want to be able to free hand people for some comic/animation projects I have in mind. Always pushing. Always looking to improve.
Hopefully this doesn't come across as depressing. It's challenging which is exciting to me. Another hurdle to overcome. Another chance to prove that I can, in fact, get it accomplished. I could do without all the health problems though (they're not mine, but a family member's). I have no control over that and I don't like not having control.
Buy me a coffee
So, here's the good stuff:
AKO ANG HARI
DOUG
I'm working on my next graphic novel (number 4). I have some rough ideas of what I want but I can't seem to find a good opening. Once I get these started it's all down hill from there. Sometimes I have to edit out a bunch of pages, but the story flows once I start it. I have a basic idea and I've written the first page, but I still haven't been visited by the Graphic Novel Muse.
Also working on animating my first graphic novel, Epitaph. I'm starting from scratch having never animated anything before. It's a challenge teaching yourself an animation style when you have no idea what it's called, or even how to describe it for a Google search. I joined a Facebook group for animators and they've been fantastically helpful. I now have an idea what I'm looking for and I'm studying YouTube tutorials. I've made some basic videos to try out the techniques, but I'm starting to fear my computer may not have enough processing power. I've animated a very basic scene several times but can't get it rendered without my program crashing. I'm hoping for a brand new computer so I can render the basic animations I'm looking for. I could really use a pen tablet (which would be my third, things get lost in the shuffle during moves). I have faith and I hold hope.
I still paint and I still draw. I'm going back and working on my drawing skills. I'm currently working on my perspective skills from some art books I have. I actually learned about perspective half a century ago, but it's been nice starting over and practicing the basics. I also have some figure drawing classes I'm working. I want to be able to free hand people for some comic/animation projects I have in mind. Always pushing. Always looking to improve.
Hopefully this doesn't come across as depressing. It's challenging which is exciting to me. Another hurdle to overcome. Another chance to prove that I can, in fact, get it accomplished. I could do without all the health problems though (they're not mine, but a family member's). I have no control over that and I don't like not having control.
Buy me a coffee
So, here's the good stuff:
AKO ANG HARI
DOUG
Sunday, July 7, 2019
So, This Lady Says To Me...
So, it's Sunday night. I'm done with my day job and I'm getting my plans together for the new week. This is pretty much my Sunday ritual. I make a list of things I want to get done. I copy down any notes I've taken during the week. I make my game plan. I try to do as much art as I can, but the thing I really need to work on is bringing in money to support my artistic goals and dreams. I was recently reminded of a site that I joined: BuyMeACoffee.com. It's a site that promotes the support of creative types (like ya boy here). Basically you can click a button and donate the price of a cup of coffee. No big commitments. No long term contracts (although you can go long term if the mood strikes you). Just a little bit here, and maybe there too. You'd be surprised how these little bits add up. Maybe to the amount needed to publish my next book of art, just as an example (hint, hint). I think I'm gonna start putting the button out here and there just to give my fans a chance to help me out. The chance to be a patron. For the price of a cup of coffee. Buy me a coffee
And now, here's some art. The real reason you came by.
AKO ANG HARI
DOUG
And now, here's some art. The real reason you came by.
AKO ANG HARI
DOUG
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